I do novels a bit backward. I look for a situation, a milieu first, and then I wait to see who walks into it

I do novels a bit backward. I look for a situation, a milieu first, and then I wait to see who walks into it

Tom Wolfe, the iconic American author and journalist, was known for his unique approach to writing novels. He once famously said, “I do novels a bit backward. I look for a situation, a milieu first, and then I wait to see who walks into it.” This statement perfectly encapsulates Wolfe’s method of storytelling, which involved immersing himself in a specific setting or environment and then observing the characters that emerged from it.

Wolfe’s novels are often characterized by their vivid depictions of various subcultures and social milieus, from the world of high finance in "The Bonfire of the Vanities" to the psychedelic counterculture of the 1960s in "The Electric Kool-Aid Acid Test." In each of his works, Wolfe meticulously researched and immersed himself in the world he was writing about, drawing inspiration from real-life events and people to create his fictional narratives.

By starting with a setting or situation, Wolfe was able to ground his stories in a specific context, allowing readers to fully immerse themselves in the world he had created. This approach also allowed him to explore complex social issues and cultural phenomena through the lens of his characters, providing a deeper understanding of the forces at play in society.

One of Wolfe’s most famous novels, "The Bonfire of the Vanities," is a prime example of his backward approach to storytelling. Set in 1980s New York City, the novel follows the rise and fall of Sherman McCoy, a wealthy bond trader whose life unravels after a hit-and-run accident in the Bronx. Through McCoy’s story, Wolfe delves into themes of class, race, and ambition, painting a scathing portrait of the excesses of Wall Street and the social divisions of urban America.