Security is a kind of death

Security is a kind of death

In the world of Tennessee Williams, security is often portrayed as a kind of death. Williams was known for his exploration of the human condition, particularly the struggles and desires of his characters. Many of his plays, such as "A Streetcar Named Desire" and "The Glass Menagerie," feature characters who are trapped in their own desires for security and stability, only to find that these desires ultimately lead to their downfall.

One of the most famous examples of this theme in Williams' work is the character of Blanche DuBois in "A Streetcar Named Desire." Blanche is a woman who is desperately seeking security and stability in her life, but her pursuit of these things ultimately leads to her downfall. Throughout the play, Blanche tries to create a facade of security by lying about her past and seeking refuge in the arms of men, but these attempts only serve to isolate her further from reality. In the end, Blanche's desire for security and stability leads to her mental breakdown and eventual institutionalization.

Similarly, in "The Glass Menagerie," the character of Amanda Wingfield is also driven by a desire for security. Amanda is a woman who is constantly trying to recreate the past and hold onto a sense of security that no longer exists. She is obsessed with the idea of finding a suitable husband for her daughter, Laura, in order to secure her future. However, Amanda's attempts to control her children and create a sense of security only serve to drive them further away from her.